I think I know how you can get loud, professional sounding mixes without obliterating the sound 👇
It took me ages to realize soft clipping is the key 🔑 to that modern sounding ‘punch’ in my beats.
Even after figuring this out, I still spent thousands 💸 on lessons and courses before learning that clipping in cascades—especially on 808s—makes all the difference 🧠.
This trick not only made my beats sound more professional, but also boosted my musical confidence overall.
So today, I want to share this powerful secret so you can skip the years it took me to learn it 😎.
To clip, or not to clip? (that is the true question) 🤔.
And, the answer is yes.
(especially in cascades).
Period.
But that ‘yes’ requires context, so here’s a small amount of yap about that 👇
The most legitimate critique of clipping cascades (and clipping in general) is that it compromises the dynamics and natural character of a mix.
While soft clipping adds loudness and punch, it can also overly smooth out transients, resulting in mixes that sound processed, flat, and “lifeless.”
Further - audio purists 🤢 argue that excessive clipping, even in articulately managed cascades, can reduce transparency.
And for as much as I hate audio purists 🤮, they are 100% correct here.
The hierarchy of focus in my mixing philosophy, starting from most important to least goes as follows;
- Transparency.
- Gainstaging / Leveling.
- Equalization.
- Soft Clipping, Saturation, Distortion.
- Noise.
- Reverb & Delay.
- Compression.
- Everything Else (but sometimes even this comes before compression because I hate compression and avoid leaning on it at all costs).
Transparency trumps ALL.
But - that’s the thing about purists 😳.
They hear things that no one said 😂.
You and I aren’t making a case for non-transparent use of ANYTHING (I mean, just look at the hierarchy above).
BUT…
The purists ARE essentially arguing against the use of something that’s fundamental to a competitive sounding mix - soft clipping.
Further - the ENTIRE PURPOSE of cascaded soft clipping is to give your mix a more transparent feel.
By applying gentle, well-controlled clipping at multiple stages, you can increase perceived loudness and presence of individual sounds or your entire mix.
This method retains punch and detail, giving you a professional sound without any sacrifice in quality - especially when you combine it with basic equalization concepts like frequency masking.
Here are a few ways to think about it in your next mix 👇
First off - if you clip at the master (you ALWAYS should),
then if you clip anything else it will be in cascade with the master clipper.
So I could also clip my 808,
and then play with the relationship between the two (by leveling and equalizing) to sound design new harmonies into the mix.
You can take this one step further by sending the 808 to a tonal composite track where you clip all input at that level too (along with other bass/tonal tracks).
Doing this has a practical effect because the more stages of gain you have, the wiser it is to take care of soft clipping in the individual track or at the buss stage - instead of just waiting until the master to do one big clip.
It’s definitely a case-by-case thing (and it depends on your taste too), but overall this leads to clipping sounding more natural because it’s applied in lightly increasing (or decreasing) gradients over the course of your signal flow.
Oh, and if you’re a sane person and have FL Studio, you also have the ability to clip sounds directly in the channel rack (Yes! Fruity Soft Clipper is built directly into each channel 😍).
(Metro 7 is 100% the BEST 808 from Centerfold btw 🔥).
Try this workflow out in your next beat and listen to how much harder things hit no matter what system you play it back on!
And if you’d like 1-on-1 guidance with your mixing and/or beat making journey, click here ASAP.
Blessings,
Chu
Ps. When in doubt, make better beats #DOPECONTENTONLY 💭
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